"Imagine you only had one sound to compose from! How much could you tweak this sound to become a living, breathing composition with a variety of different textures?"
This is my submission for the first sampleset (#1) for I.A.C.C.
The original source sample from which every sound you hear was drawn from is a single strike on the inner portion of a small bell . .
The bell was struck with a hard mallet and recorded with a Shure SM-57 microphone into a Focusrite Preamp. The Shure SM-57 was chosen for it's relative low-noise operation, especially crucial when the source sound may be layered over itself hundreds of times . . .
It's interesting to note that every sound you hear in this mix was processed in real-time, and the DAW and the multiple samplers running were all referencing the same 13.5 second WAV file . . playing it again and again over and over itself in extremely different ways . . .

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